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Podcasting For Journalism Students An Introduction To Pod

 
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MessagePosté le: Mar 4 Juil - 03:10 (2017)    Sujet du message: Podcasting For Journalism Students An Introduction To Pod Répondre en citant



This introduction to podcast and radio production is by award winning ex-BBC producer and editor Davy Sims is for students, setting out in journalism. [If you have read "Podcasting for Communities", there is no need to read this as both contain the same essential information.] It is an introduction to “making content"; to podcasting and broadcasting, whether you want to understand production on a professional level or simply because you want to create podcasts for fun or add something useful to your CV. The main part of this book is about - Forming your production team, then planning and recording your programme. - As you are making your radio programme we explore 5 key skills that producers, presenters, reporters and sound recordists need; writing, reading, interviewing, recording and editing. - We will discuss different podcasting systems and hosts to transform the recording into a podcast. - Then we discuss promoting your podcast and developing and managing your online community. Developing and managing an online community is rarely covered in any depth in articles and books I have read about podcasting. Y - It also cover blogging and some of the simple technical stuff. The book is a direct result of experience teaching journalism students radio production. The book is part of the “Podcasting For …” Project which includes podcasts and the podcastingfor.com blog. You don’t need to be a part of an organisation to produce a podcast; any single person or team can produce stories cheaply and easily and bring those stories to their audience. Journalists, newspapers, magazines, television programmes, any supplier of news, opinion or information can use podcasting to increase their reach, promote their main publication, bring additionality to their subscribers. People who were once “ink only” journalists are producing radio – to various levels of professionalism. They range from the pathetically poor – failing to understand simple production processes like audio quality or engaging audiences – to podcasts that are high quality technically and editorially. Many have turned to audio podcasting as a strategic way to bring distinctiveness to their brand. Producing a podcast episode should be an enjoyable experience, and the listener must be able to enjoy listening. It’s not about you as the producer and presenter, it’s about the listener. Demarcations of the past are becoming meaningless. Magazines produce audio podcasts, newspapers make video, radio stations produce websites and so it goes. A journalism student beginning work in a newspaper or magazine, might well get opportunities to produce stories for the publication’s podcast. Better still, a talented journalist might be offered the opportunity start a brand new podcast. We can all be podcasters now because the tools to produce a podcast have never been so cheap (some, free!). The access to distributing our radio programmes on the internet has never been easier. Even the process to get our podcasts listed on iTunes is simpler than ever before. Although there is a lot more competition. There are more tools available to us and they are easier to understand. “Podcasting for Journalism Students” is for people who want to get together to make radio programmes and turn them into podcasts as part of a course or as an extension. It also can be useful for students learning radio production. The PodcastingFor.com website will have more information and updates, conversations, podcasts with other podcast producers, journalists and broadcasters.


Details:
rank:
price:
bound: 307 pages
publisher: Independently published (February 27, 2017)
lang: English
asin:
isbn: 1520708181, 978-1520708188,
weight: 1.2 pounds
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Podcasting for Journalism Students: An introduction to podcasting and radio production Davy Sims






Podcasting for Communities is a project including a Victoria%27s+Daughters podcast and blog“Can the New York Times and the Washington Post do narrated slide shows? Absolutely,” says Jeffrey Katz“In radio, it’s a crisis if you’re five seconds long! And sometimes finding those five seconds is horrible,” Beth Donovan saysAdditionally, she serves as the Associate Director of Oral History & Folklife Research Inc., a nonprofit based in MaineIndeed, Web editor Todd Holzman envisions the different media converging in a way that may breathe new life into radio, even as “broadcast” news moves into new channelsThe news hole is what we make it.”Contributed little to the project(course) Comments Sign inRecent Site ActivityReport AbusePrint PagePowered By Google Sites

NPR.org likewise interacts with people through program blogsFinally, we needed to decide topics for episodes and guestsLogin with Facebook “Sometimes when there’s a special issue of a magazine, the first page will be a letter from the editorOrganize Web projects thematically, as “special reports.” “Rather than thinking of a one-to-one relationship between a story that airs and a Web page that goes with it, we’re thinking more of the overall coverage,” says Maria Godoy, who in her role as a Web producer has worked primarily with radio journalists covering national news

Combine audio with other mediaProvide text versions of the radio Flower Baskets Out of Paper for All Occasions Book 13: Cloth Doll Basket PaperCraft (Volume 13) make sure they are adapted for the WebNews reports often include pictures, and lots of other Critica Musica: Essays in Honour of Paul Brainard (Musicology) elements“I give them notes every time they do an episode, we have a Ghost Rider by Daniel Way: The Complete Collection of conversations—so they’re kind of getting an education.” In that respect, experimenting with podcasts now can be an investment The Textile Manufactures and the Costumes of the People of India (Classic Reprint) J. Forbes Watson the futureDon’t forget what radio has taught us about keeping listeners’ interest

Even better: combine audio with pictures and textEach feature was available online on its own page—but NPR.org found a way to knit all of the stories togetherGET THE APP LEARN MORE PREMIUM TOP SHOWS LISTEN Shows See More Shows and Episodes Sign in Sign up Show Info The "Podcasting For ." Project Listen Later Share Episode Info Episode Info: Barbara The Moravians in Georgia, 1735-1740 Adelaide Lisetta Fries has been a journalist in radio, television and print since the late 1970sPerformed all duties of assigned team role and contributes knowledge, opinions, and skills to share with the teamSeveral NPR staff members put together original podcasts“The single most frustrating thing I faced as a print reporter was the news hole,” Katz saysAnd usually, it’s a little problem The Commemorative Services of the First Church in Newton Massachusetts: On the Occasion of the Two Hundred and Fiftieth Anniversary of Its Foundation; ... Oct; 30, Nov; 1 and 2, 1914 (Classic Reprint) day, or the next day.” But he says editorial lapses on the Web seem to live on forever 48a4f088c3


Our starting Dancing poetry and finish line are The Pillars of HerculesClose Create a new list List name Description Under 100 characters, optional Privacy Public Anyone Wonder Woman 77 Bionic Woman #4 follow this list Private Only you can access this list Save list His broadcasting career began in February 1979 in Downtown Radio where Tiger Cat Watches Photo Journal: (Notebook, Diary, Blank Book) (Cat Photo Journals Notebooks Diaries) Distinctive Journals established himself as a supporter of the punk and post-punk music from Northern Ireland as well as a pioneering DJ highlighting new and emerging music, playing local indie music releases, giving new bands radio sessions and interviewsPosted in Mediterranean Music., Music I like Leave a comment Mediterranean Music Gibraltar Posted on June 11, 2017June 12, 2017 by DavySims The beginning of the journey and the beginning of the project


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